JAVIER LIMÓN "Limón"
Year: 2005
Style: FLAMENCO / LATIN / POP SPANISH ROCK
Label: CASA LIMÓN
type filed : mp3
Size: 66,64 Mb
Quality : 192 kbps
Gracia alonsii
The composer Javier Limón, better(best) producing Grammy Latino of the year (black Tears) presetna his new disc with the collaboration of Bebo Valdés, Andrés Calamaro, Child Josele, Jerry González...
1.- New men and women (Buleria)
A meeting for bulerías of the most current gypsy cantaores, the Guadiana, Jar of baby food, Duquende, Tolls Her, Montse Cortés and Genara accompanied by the Child's guitar Josele.
2.- Madrid, shore(bank) of Cuba (Rumba)
Berlin might happen an any dawn in the Coffee.
The increasing arrival of Cuban young musicians to Madrid makes possible to write new pages in the history of the látin Flemish(flamenco) jazz.
3.- The pearl (Bulería)
Lucía's Paco gallops on horseback between the soniquete and the improvisation jasística. Antonio Serrano accompanies him on the harmonica, indispensable part of his current group in direct.
It is the pearl
4.- Black bay (Wawanco)
The wawanco when it is very slow calls yambú, there are very few pianists capable of interpreting it with flavor, the teacher(master) Bebo Valdés is one of them.
To emphasize the voice of Buika and the double bass of Javier Colina.
5.- The cantaor
The unmistakable voice of Andrés Calamaro between the rock and the tango always drinks now half a dry sherry of flamenco.
Engraving in Buenos Aires in March, 2005.
6.- In the same place
Buika is the most important voice of woman of his generation.
His record goes from the flamenco up to the jazz happening(passing) for all the possible disciplines, in this popular folk song it us whispers the notes almost to the ear(hearing).
7.- To rope cambiá (Soleá)
This is a soleá pastueña.
The melodies are distributed I run to hand the Child Josele (buzuki) and Javier Limón (guitar), up to always coming to the singing of the Guadiana jondo.
8.- Jerusalem
In the recording of the David's last disc in Oriental Jerusalem (Palestine) this letter appeared while the city was covered of snow.
This white pueblecito could call also White of Bay or Alosno. Now it is called a miracle.
9.- Water of sugar (Tanguillo-danzón)
Water of sugar is a topic camaleónico that from the same rhythmic pulse is playing between the danzón, the nanny and the Flemish(flamenco) tanguillo.
Sweet always the voice of Montse Cortés and unmistakable the phrases with flavor to Bronx de Jerry González.
10.- Spring of grass (Tangos)
This topic represents the global concept of the album.
It is like a movie in which for every scene there appears the suitable actor, Antonio Serrano, José Reinoso, Child Josele, The Black woman(Quarter note), La Tana, Piranha, Aláin Pérez.
11.- Andalusian rhapsody (Bulería)
The album ends with a hand to hand for bulerías between Child Josele (guitar) and Javier Limón (piano).
In the end they join Piranha (percussion) and Ally (low) Pérez to complete the quartet base, fundamental prop(pillar) of this recording.
Interpreters:
Duquende : Cantaor
Potito : Cantaor
Guadiana : Cantaor
La negra (Antonia Rodríguez Moreno) : Cantaora
Montse Cortés : Cantaora
La Tana : Cantaora
Paco de Lucía : Guitarrista
Niño Josele : Guitarrista
Piraña : Percusionista
Bebo Valdés : Pianista
Alain Pérez : Bajista
Javier Colina : Counterbassist
Javier Limón : Principal artist
Link:
No Pass
Year: 2005
Style: FLAMENCO / LATIN / POP SPANISH ROCK
Label: CASA LIMÓN
type filed : mp3
Size: 66,64 Mb
Quality : 192 kbps
Gracia alonsii
The composer Javier Limón, better(best) producing Grammy Latino of the year (black Tears) presetna his new disc with the collaboration of Bebo Valdés, Andrés Calamaro, Child Josele, Jerry González...
1.- New men and women (Buleria)
A meeting for bulerías of the most current gypsy cantaores, the Guadiana, Jar of baby food, Duquende, Tolls Her, Montse Cortés and Genara accompanied by the Child's guitar Josele.
2.- Madrid, shore(bank) of Cuba (Rumba)
Berlin might happen an any dawn in the Coffee.
The increasing arrival of Cuban young musicians to Madrid makes possible to write new pages in the history of the látin Flemish(flamenco) jazz.
3.- The pearl (Bulería)
Lucía's Paco gallops on horseback between the soniquete and the improvisation jasística. Antonio Serrano accompanies him on the harmonica, indispensable part of his current group in direct.
It is the pearl
4.- Black bay (Wawanco)
The wawanco when it is very slow calls yambú, there are very few pianists capable of interpreting it with flavor, the teacher(master) Bebo Valdés is one of them.
To emphasize the voice of Buika and the double bass of Javier Colina.
5.- The cantaor
The unmistakable voice of Andrés Calamaro between the rock and the tango always drinks now half a dry sherry of flamenco.
Engraving in Buenos Aires in March, 2005.
6.- In the same place
Buika is the most important voice of woman of his generation.
His record goes from the flamenco up to the jazz happening(passing) for all the possible disciplines, in this popular folk song it us whispers the notes almost to the ear(hearing).
7.- To rope cambiá (Soleá)
This is a soleá pastueña.
The melodies are distributed I run to hand the Child Josele (buzuki) and Javier Limón (guitar), up to always coming to the singing of the Guadiana jondo.
8.- Jerusalem
In the recording of the David's last disc in Oriental Jerusalem (Palestine) this letter appeared while the city was covered of snow.
This white pueblecito could call also White of Bay or Alosno. Now it is called a miracle.
9.- Water of sugar (Tanguillo-danzón)
Water of sugar is a topic camaleónico that from the same rhythmic pulse is playing between the danzón, the nanny and the Flemish(flamenco) tanguillo.
Sweet always the voice of Montse Cortés and unmistakable the phrases with flavor to Bronx de Jerry González.
10.- Spring of grass (Tangos)
This topic represents the global concept of the album.
It is like a movie in which for every scene there appears the suitable actor, Antonio Serrano, José Reinoso, Child Josele, The Black woman(Quarter note), La Tana, Piranha, Aláin Pérez.
11.- Andalusian rhapsody (Bulería)
The album ends with a hand to hand for bulerías between Child Josele (guitar) and Javier Limón (piano).
In the end they join Piranha (percussion) and Ally (low) Pérez to complete the quartet base, fundamental prop(pillar) of this recording.
Interpreters:
Duquende : Cantaor
Potito : Cantaor
Guadiana : Cantaor
La negra (Antonia Rodríguez Moreno) : Cantaora
Montse Cortés : Cantaora
La Tana : Cantaora
Paco de Lucía : Guitarrista
Niño Josele : Guitarrista
Piraña : Percusionista
Bebo Valdés : Pianista
Alain Pérez : Bajista
Javier Colina : Counterbassist
Javier Limón : Principal artist
Link:
Код:
http://www.megaupload.com/es/?d=NLW55PKINo Pass